Saturday, December 12, 2009

Intermezzo Part Three

One of Mark Antony's bodyguards brought Octavian the dead man's bloodied sword, and it is reported that he withdrew into his tent and wept. Normally, Octavian kept his feelings under wraps-as Roman men were very much expected to do, and there is only one other report of him crying tears: when he received an account of Julius Caesar's funeral. If he had indeed wept at this point it was probably from the build-up of the stresses and tensions over the years and their sudden release. It is very unlikely (although not unheard of in history of one enemy weeping at the death of another) that Octavian wept with any empathy whatsoever toward Antony. He had never gotten along with his former brother-in-law and fellow triumvir.

Octavian had pursued with an utter single-mindedness to have this man out of his way on his climb up to ultimate power. Perhaps this whole event was invented, and simply was an illustration of Octavian and his camp's skillful use of propaganda.

Although Octavian ruled the Roman world, he had never seen a great Hellenistic megalopolis before. He was only familiar with cities like Rome and Athens that had grown unplanned and unkempt over many centuries. The type of city Octavian was used to were crowded, ugly, clamorous contrivances, devoid of charm, wide avenues and splendid vistas. Thus, Alexandria made a great impression on Octavian.

The city was founded in 331 BC by Alexander the Great, the 25-year-old Macedonian king who conquered the Persian empire. The city was built on a narrow bar of land with the Meditteranean on one side and a shallow lake on the other.

A little way offshore lay an island, Pharos, with its celebrated lighthouse, which was three miles long and protected the lighthouse from storms. The street plan was based on a grid pattern, like a modern American city. A mile-long dike was built between the shore and the island of Pharos, thus creating two harbors, the Great harbor on the east side and the Eunostus (or Happy Return) harbor to the west. A canal from Lake Maraeotis in the south connected the city to the Nile and so to Egypt both as a center for making goods and a market. The city was a great success and in the first centurt B.C., the total population may have equalled Rome's.

Alexandria's magnificent look made it a center for culture and fashion throughout the eastern Meditteranean. Strabo described it as the "greatest emporium of the inhabited world." Now Octavian had the run of the city, and on foot he led his men through the Gate of the Sun, not far from the hippodrome outside the walls, and along one of the city's main thoroughfares, the Canopic Way. Anxious crowds had begun to gather around this audacious newcomer and conqueror. Octavian made a point of being accompanied by Aerius, an Alexandrian citizen and a well-known philosopher and rhetorician. This friendly move was probably to alleviate the fears of the people, as it was very common after a city's conquest that it would be given over to be pillaged and ransacked by the victors.

Octavian and his men made their way to the Gymnasium. This was the same place where Antony and Cleopatra probably held the ceremony of the Donations of Alexandria. The place was full of a very nervous people, and when Octavian came to the speaker's dais, the audience was so engulfed by their terror that they all fell on their faces. Octavian told them he had no intention of holding the city responsible for the conduct of its leaders. At Areius' request he granted a number of pardons. The Octavian went to the Royal Palace, which was to the north of the Canopic Way; here he would find Cleopatra.

He sent ahead an eques named Gaius Proculeius, a close friend of his whom, it so happened, Antony in his last moments had recommended to the queen. Proculeius had instructions to do whatever it took to capture her alive. The palace took up a whole fifth of the city, along with the quayside of the Great Harbor. The complex was almost completely buried under later buildings and there aren't any ruins to visit; however some of it sank into the sea after an earthquake and subsequent tidal wave in the fourth century B.C., and is now being explored. The main palace building stood on Cape Lochias, a promontory at the harbor mouth.

Somewhere near here, Cleopatra sat beyond despair in her mausoleum, awaiting Alexandria's conqueror-her conqueror. She had gathered gold, silver, emeralds, pearls, ebony, ivory and cinnamon (a very pricey spice in that era and regarded as a present fit for royalty) in this place. She had also brought a great deal of firewood and tinder. This implied a threat to Octavian that if he didn't treat her well, she would set everything afire.

Ancient sources tell us that Octavian's debate on what to do about Cleopatra centered around these precious items in her possession at the time, but as Anthony Everitt states in his book Augustus on page 193: "...this consideration weighed heavily with him, although it cannot have been decisive: the queen can hardly have had personal possession of the kingdom's entire reserves of precious metals-and, even if she had, they would survive a fire. The loss of the jewelry and other precious items would be a pity, but it was not a matter of high importance."

Proculeius arrived at the mausoleum and gained entry by a trick. He had noticed that the upper window through which the dying Antony had been pulled through was still open. So, while someone distracted Cleopatra by engaging her in conversation through the door of the mausoleum, Proculeius climbed through the window with two servants using a ladder. He captured Cleopatra and placed her under guard. Cleopatra was allowed to preside at Mark Antony's funeral, but not before Octavian inspected the corpse. The formerly proud queen was now a broken woman-in spirit and physically. She became ill and remained a prisoner inside the mausoleum.

The long dreamed of addition of Egypt to the Roman Empire solved Octavian's financial troubles with a flourish. Over time, after the kingdom's bullion reserves were transported to Rome, the standard rate of interest instantly dropped from 12 percent to 4 percent. There was now enough money to not only settle his account with the veterans and to buy all the land they required-it was without any surprise that land values doubled-but there was enough money to invest in yet more public works, and the weary (from the civil strife and political upheavals over the last 50 to 100 years depending on where one wants to say the collapse of the Republic began) people of Rome received munificent individual money grants.

Soon after her arrest, Ocatavian paid a visit to Cleopatra. We can assume he must have known her (or at least heard much juicy gossip and seen her) from her stay in Rome as Julius Caesar's lover nearly fifteen years previously. Her appearance now must have been so hugely different that she must have been almost unrecognizable from the proud, luxurious-and the much despised by most Romans-queen who had visited Julius Caesar then. Plutarch tells us: "She had abandoned her luxurious style of living, and was lying on a pallet bed dressed only in a tunic, but, as he entered, she sprang up and threw herself at his feet. Her hair was unkempt and her expression wild, while her eyes were shrunken and her voice trembled uncontrollably."

Octavian asked her to lie down again and sat beside her. Cleopatra-rather pathetically we can imagine (but what would we do ourselves if we were in her shoes-or tunic;-) so to speak?) then tried to justify her part in the war, saying that she had been forced to act as she did and had been in fear of Antony. Octavian must have been happy with her pleading tone, for it suggested she didn't intend to kill herself. Then he undertook to destroy excuses point by point, and she begged for pity as if desperate to save her life. The ancient commentators claim that he did indeed want her to live because she would make a praiseworthy display in the triumph he intended to hold in Rome. There is some argument later over this as we shall see.

I tried to type as long as I could taking breaks and such for my back standing up down, up down-and I just gotta quit for the eve! My back is too sore and my hands are tired. And I still want to visit the blogs my friends have-at least as many as I can. I am still ahead of the game, so to speak and have more written out ready to go. Tonight I was going to attempt just to do it all-that I had done anyway to close the "Antony/Cleopatra Chapter" -although as with Hadrian/Antinous at MFM I am sad in a way to see them go-it has been a very long time since I had originally intended to be through not only this part of Roman history-but through all of the rule of Augustus too. I would still like to go fairly slow with the rest of Augustus-using Anthony Everitt's wonderful book as my guide-although not near as slow as I have been going-lately it has been pretty much page by page-rarely even skipping a paragraphs worth for every three pages. I really need to learn to be better at condensing information!

There are so many other areas of history-even Roman history-and questions of history (btw the reason I like using Anthony Everitt's Augustus -well one of the many-is that I feel he answers a lot of questions I have had about history when I started this blog-just in this post there were some economic questions answered-and I think in past articles using Augustus there have been many other questions answered-at least for the timeframe and people we are talking about-and I am on page 197 of a 327 page book-but like I say-I need to condense better!) I would even like to talk about "What If?" questions about history in this blog-and have two "What If?" books that talk about these alternate routes history could have taken.

The image is lame for what I was looking for-although still part of the story. It is a representation of Cleopatra VII (our Cleopatra) and her son by Julius Caesar-Caesarion. We will find out soon what happens to the children involved here also. I just checked out wikipedia-and they seem to have questions about the 2 youngest males that Everitt's book doesn't-so that might be interesting to think about. I was looking for a model-painting-heck-any type of likeness of Alexandria in the first century B.C. I will keep searching and put it in this post or a future one. I do hope to post again here in a matter of days. Thanks again Jon and anyone else who has commented in the past for your fantastic and intelligent comments! I really appreciate getting comments on this blog-it gives me that much more enjoyment for doing a blog about a subject I love and am always learning new viewpoints etcetera about. All the best to anyone stopping by!

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